Welcome to Part 1 of Audio For Broadcast - a huge 16 article audio course that explores the science and practical applications of audio in broadcast.
La Tina has been part of the thriving Colombian post-production landscape since it was founded in 2010. The studio serves both the international and domestic film sector, working on everything from large studio productions to small independent movies. Its latest addition is a second site built to meet the increasing demand for cinematic Atmos mixes, complete with Genelec Smart Active Monitoring.
How AVB, AES67 and proprietary solutions like Dante address the challenges of using asynchronous internet networks to distribute audio.
Recognizing that a 53-foot expanding mobile unit is often out of reach financially for many tier 2 sporting events - e.g., women’s college volleyball or professional pickleball - production companies that offer such high-end resources are expanding their horizons with lower cost, highly portable and as-needed options that fit the bill.
In a world of digital samples and extensive sound effects libraries, a production company in the UK is determined to preserve the art and craft of Foley sound. Foley is the recording and performance of sound effects that are added to films, videos, and other media in postproduction to bring the on-screen images to life.
All devices on a network are referred to as ‘hosts’ and they all need to be configured correctly.
Los Angeles, USA area studio facility opens a second room and continues a decades-long tradition of relying on Genelec monitoring for a wide range of client services, including music recording, mixing, ADR, mastering, and sound-for-picture.
Image compression depends heavily on transforms and there are a number of these. The criteria for selecting a transform include appropriateness for the type of images to be coded and computational complexity.