Why keeping control of wi-fi and other devices within a broadcast facility to ensure there is no interference with critical devices is essential.
Understanding where noise creeps in and how to minimize it are key audio skills but sometimes, inevitably, modern noise reduction tools are a lifesaver.
Set over three sites in Seoul, South Korea, Studio 26miles is a hub of sonic creativity for broadcasting, content production and local language dubbing, delivering exceptional audio quality at a pace that sets it apart. The studio’s most recent addition is a Genelec-powered immersive space with a Dolby Atmos 7.1.4 mixing room, a stereo mix room and a booth.
Building upon the existing signal generation function which was added to Bridge Technologies’ VB440 probe in 2022, the company has announced that the probe can now also generate up to 64 channels of audio signal, thus allowing remote production teams to test the network links of both their visual and audio apparatus without ever needing to unpack a single piece of equipment.
When asked what “good sound” means to them, each audio engineer will give you their take on what really counts.
Solid State Logic (SSL) announce the launch of two new 2U rack-based studio tools: the PURE DRIVE QUAD and PURE DRIVE OCTO microphone preamplifiers. These preamplifiers are available in 4-channel (QUAD) or 8-channel (OCTO) configurations, and both incorporate SSL’s SuperAnalogue PureDrive Technology, which was initially introduced by the company’s acclaimed ORIGIN recording console. Additionally, these units feature a newly introduced DRIVE mode, comprehensive analog and digital connectivity options and an integrated USB-C soundcard. SSL’s latest offerings represent some of the most feature-rich outboard microphone preamplifiers on the market, introducing a host of new sonic possibilities and workflows for the discerning producer and recording engineer.
Scalable Dynamic Software For Broadcasters is a free 88 page eBook containing a collection of 12 articles which give a detailed explanation of the principles, terminology and technology required to leverage microservices based, software only broadcast production infrastructure.
Here we look at codecs and encoding for digital RF modulation such as ATSC 3.0, DVB and other digital OTA standards, and network requirements for encoding and delivering streaming internet video.