It’s all very well reading all this theory about colorimetry, but what can be done in practice? First of all, it is necessary to consider that imaging, be it still or moving, is a creative process that relies totally on technology. Wherever that happens, there are always two different ways of thinking about choices: objective and subjective.
Viewing audiences are continually driving broadcasters to deliver improved video formats to further enhance the immersive experience. It didn’t seem so long ago that HD was lauded as the best format ever. Not only did we end up quadrupling the number of pixels and frame rates to deliver 12G-SDI, but we also mixed them with high dynamic range and wide color gamut.
5G could have a transformational impact on video distribution, but what is the status today, how far has testing and commercial applications advanced and what does the future hold? The Broadcast Bridge interviews Yann Bégassat, Business Development Director at Broadpeak.
TV stations refocus their creative talents and energies on staying healthy and on the air.
In the last article in our three-part series, we explored the advantages of SDI and how 12G-SDI is applied in broadcast facilities. In this article, we investigate applications where SDI excels.
Reporters for WAFF-TV, the NBC affiliate in Huntsville, Alabama, have seen their share of weather disasters and learned to adapt to working from home for short periods of time. It goes with covering the territory. The current pandemic situation, however, is another story all together. It’s a story that, with each week, brings mental fatigue but also a can-do spirit to help the local community get through the crisis.
High dynamic range and wide color gamut combined with 4K resolution and progressive frame rates have catapulted broadcast television to new levels of immersive experience for the viewer. As HDR and WCG are relatively new to television, we need to both understand their application and how we monitor them to enable us to surpass the levels of quality and immersive experience cinematographers demand.
Recent international events have overtaken normality causing us to take an even closer look at how we make television. Physical isolation is greatly accelerating our interest in Remote Production, REMI and At-Home working, and this is more important now than it ever has been.
