For the Super Bowl 2021 broadcast, they brought one Mini-C and four Newton stabilized heads mounted on telescopic towers and rail systems, placed around the stage of the halftime show with the artist The Weeknd.
Most people are aware that the amount of detail in a photograph is dependent on a few things. Assuming focus is right, it’s easy to assume it’s a combination of how well the lens was made and the number of pixels on the sensor, give or take the quality of all those things. Now we’re starting to hit issues with what we might almost think of as the size of light.
The Jordan Hembrough-hosted digital series Our Star Wars Stories now uses remote phosphor Pipeline Reporters lights.
hsc.tv, a New York City-based production company, has shot a promotional piece entitled “A New Era” about the Kansas City Chiefs’ legacy that aired on ESPN’s “Sunday NFL Countdown” on Super Bowl Sunday.
Mo-Sys has teamed up with VividQ, pioneers in computer-generated holography for next-generation augmented reality (AR) displays.
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Some films languish in preproduction hell for years. For cinematographer Simon Rowling, though, only a matter of days elapsed between first discussing Legacy of Lies and flying out to begin location scouting. The production, which stars Scott Adkins as a CIA agent in pursuit of Russian kidnappers, was written and directed by Adrian Bol and photographed mainly in Ukraine.
Grass Valley announce the launch of AMS Express (Advanced Media Storage) a scalable, high-performance Network Attached Storage (NAS) solution that allows content producers to more easily expand storage capacity.
40+ PTZ and Zoom Block cameras supplied by MarCam Europe are installed trackside to deliver 4K race coverage.
