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Possibly one of the last features to wrap before the global pandemic effectively shut down production was Fatman, a dark action comedy directed by Eshom and Ian Nelms and starring Mel Gibson as the kind of Santa Claus who would probably exist in 2020 if one existed at all.
Creative Solutions announces that Teradek has partnered with Frame.io to support Frame.io C2C (Camera to Cloud), a cloud-based workflow that bridges on-set camera capture with post-production NLE systems. This revolutionary process is poised to forever transform the way in which production and editorial interact.
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StarTracker is Mo-Sys’s precision 6-axis camera and lens tracking system, designed for use with XR stages, LED volumes, and green/blue screens, for broadcast or for film VFX production.
DP Toby Oliver, ACS (Australian Cinematographers Society) and director Josh Greenbaum selected Cooke Optics Anamorphic/i Standard and Special Flair (SF) prime and zoom lenses to tell the story of best friends Barb and Star who leave their small Midwestern town for the first time to go on vacation in Vista Del Mar, Florida, where they soon find themselves tangled up in adventure, love, and a villain’s evil plot to kill everyone in town.
For the Super Bowl 2021 broadcast, they brought one Mini-C and four Newton stabilized heads mounted on telescopic towers and rail systems, placed around the stage of the halftime show with the artist The Weeknd.
Most people are aware that the amount of detail in a photograph is dependent on a few things. Assuming focus is right, it’s easy to assume it’s a combination of how well the lens was made and the number of pixels on the sensor, give or take the quality of all those things. Now we’re starting to hit issues with what we might almost think of as the size of light.
The Jordan Hembrough-hosted digital series Our Star Wars Stories now uses remote phosphor Pipeline Reporters lights.
hsc.tv, a New York City-based production company, has shot a promotional piece entitled “A New Era” about the Kansas City Chiefs’ legacy that aired on ESPN’s “Sunday NFL Countdown” on Super Bowl Sunday.
