Grass Valley announces the next step in cloud-first production solutions with the introduction of GV K-Frame on AMPP, Grass Valley’s newly launched application suite for its Agile Media Processing Platform.
With the recent advances in artificial intelligence, post-production rotoscope tools are now so good that some DOPs are asking if we still need to use green screen at all, or at least, in quite the same way. Suddenly, it seems any background, no matter how complex, can be replaced in seconds on the editor’s timeline, allowing DOPs to shoot complex compositing assignments faster and more economically. For broadcasters, the benefits of an AI-powered rotoscoping tool are substantial as producers can repurpose a treasure trove of existing footage packed away in libraries and potentially reduce the need for new production or costly reshoots.
The Fujifilm GFX100S will be able to record Apple ProRes RAW over HDMI when combined with the Ninja V 5” HDR monitor-recorder. The Ninja V will record up to 4Kp30 12-bit ProRes RAW video from the GFX100S’ 102MP resolution 43.8 x 32.9mm BSI CMOS sensor.
Television production these days is tricky enough without adding virtual elements like augmented reality (AR) graphics, but that’s exactly what Taipei-based production company Getop did for the live telecast of the 2020 Golden Melody Awards (GMA). The highly rated annual televised awards ceremony - considered the “Asian Grammys” by many - celebrates top musical talent from across southeast Asia.
Vidiu X uses H.264video compression to capture and encode live video and broadcast it in HD to streaming platforms like Facebook Live, YouTube Live, Twitch, and Ustream.
The cameras proved critical to the station’s virtual production of Bucheron’s “Anthony Awards”.
The #1 rule of live broadcasting is that things tend to fail at the worst possible time. The greater the ratings, the more likely something highly unlikely but mission-critical will fail, broadcast RF and wireless communication systems included. Count on it.
The lighting grid is daylight balanced (5600K) and features a mix of Brightline L1.2 and L1.4 LED SeriesONE studio fixtures, BL.16 long-throw beam compact fixtures, and Lupo DayLED fresnels.
