Recent Content

Is Gamma Still Needed?: Part 9 - Processing In Floating Point March 2nd 2021 - 09:00 AM

Floating-point notation and gamma are both techniques that trade precision for dynamic range. However they differ fundamentally. Gamma is a non-linear function whereas floating point remains linear. Any mathematical manipulations carried out on floating-point encoded data will be correct whereas manipulations of gamma-encoded luma cannot be. Gamma was intended to linearize a cathode ray tube whereas floating point encoding was designed from the outset for mathematical manipulation.

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AGITO Captures Live Performances At The O2 March 1st 2021 - 11:00 AM

2020 was a challenging year for the live performance industry, but two different gigs captured by camera mount specialists Cammotion at the O2 on AGITO bookend it superbly.

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Grass Valley Strikes $5 Million Multi-Year Deal With Gravity Media March 1st 2021 - 09:30 AM

Grass Valley and Gravity Media partner for major sporting events with multi-year live production infrastructure deal.

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Creative Analysis: Part 18 - Cinematographer Johnny Derango On Fatman March 1st 2021 - 09:00 AM

Possibly one of the last features to wrap before the global pandemic effectively shut down production was Fatman, a dark action comedy directed by Eshom and Ian Nelms and starring Mel Gibson as the kind of Santa Claus who would probably exist in 2020 if one existed at all.

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Teradek Partners With Frame.io To Support C2C Cloud-based Workflow February 25th 2021 - 11:00 AM

Creative Solutions announces that Teradek has partnered with Frame.io to support Frame.io C2C (Camera to Cloud), a cloud-based workflow that bridges on-set camera capture with post-production NLE systems. This revolutionary process is poised to forever transform the way in which production and editorial interact.

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Disguise Endorses StarTracker For XR February 25th 2021 - 10:00 AM

StarTracker is Mo-Sys’s precision 6-axis camera and lens tracking system, designed for use with XR stages, LED volumes, and green/blue screens, for broadcast or for film VFX production.

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DP Toby Oliver, ACS Uses Cooke Lenses To Help ‘Barb And Star Go To Vista Del Mar’ Shine February 23rd 2021 - 11:00 AM

DP Toby Oliver, ACS (Australian Cinematographers Society) and director Josh Greenbaum selected Cooke Optics Anamorphic/i Standard and Special Flair (SF) prime and zoom lenses to tell the story of best friends Barb and Star who leave their small Midwestern town for the first time to go on vacation in Vista Del Mar, Florida, where they soon find themselves tangled up in adventure, love, and a villain’s evil plot to kill everyone in town.

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Super Bowl’s Halftime Show Captured By RailCam Robotic Systems February 23rd 2021 - 10:00 AM

​For the Super Bowl 2021 broadcast, they brought one Mini-C and four Newton stabilized heads mounted on telescopic towers and rail systems, placed around the stage of the halftime show with the artist The Weeknd.

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