TVU Networks, a Shanghai based provider of cloud and IP-based live video technology, has expanded its relationship with Somoy TV, a 24-hour news channel in Bangladesh.
Dialogue is king in television. Let’s face it, you don’t watch an episode of your favorite police procedural or reality show just to listen to the sound design or the incidental music. But whether the content is scripted or unscripted, delivering intelligible dialogue can be a real challenge for the show’s mixer.
The bi-colour Blender XL puts out a tunable narrow flood beam—up to four times the brightness of a traditional 1x1 panel light.
For the past year an international group of technology companies, funded by the European Union (EU), has been looking into the use of 5G technology to streamline live and studio production in the hopes of distributing more content to (and from) viewers faster and more efficiently. Due to the restrictions imposed because of the coronavirus, most of the work thus far has been completed remotely.
Marshall Electronics is launching its CV420-30X 12GSDI camera at NAB 2021 – complete with 12GSDI, HDMI and IP (HEVC/SRT) simultaneous outputs.
DPA Microphones and KLANG:technologies have teamed up to create a system that will enable live event teams to immerse singers and musicians in their on-stage performances.
Writer-director John Michael McDonagh and cinematographer Larry Smith, ASC, BSC faced a race against time in the face of a threatening global pandemic to capture the vibrant colours and contrasting scenes of the Moroccan landscape for the feature film The Forgiven.
The film and TV business is a prominent producer of things that were once very expensive, but which have become much more affordable as developments overtook them. That’s never clearer than when browsing everyone’s favorite auction website, which has recently seen Spirit telecines, once seven figures, selling for less than the price of a good used car. For photochemistry enthusiasts, that’s exciting, though cooler heads might suspect a catch.
