So you’re a producer, and your cinematographer is campaigning for the use of anamorphic lenses. Problem is, they’re expensive, and for people who aren’t cinematographic propeller heads, it can seem hard to justify. Let’s look at what’s going on and how we got here, without assuming the reader has a masters’ in cinematography.
When writer/director Christian Rousseau envisioned the look of No Loss // No Gain (NLNG), he knew that the two worlds the film would portray would need to be photographed differently, but the idea of using completely different lenses from two different manufacturers was not part of the initial plan — until cinematographers John Sedlack and Kate Steinhebel had to switch which unit each would photograph.
One of the earliest and most widespread applications of synchronizing was in television.
Brightline announced it is now shipping the new Dayled 1000 and 2000 Dual Color PRO LED Fresnels.
ETV Bharat, the comprehensive digital national news platform, owned and operated by Ushodaya Enterprises Pvt, has selected a range of Grass Valley solutions to underpin its upgraded production and editing operations.
FUJIFILM has launched the FUJINON broadcast portable zoom lenses featuring the newly-developed digital drive unit ‘S10’ (18 models). These lenses are equipped with the S10 to deliver precise zooming and focusing to support remote recording based on a robotic system, which is growing in demand at video production site.
In the high stakes world of auto racing, every second counts so whatever a team can do to improve its performance, both on and off the track, is put into play. For the highly successful Corvette Racing team, which competes in endurance races that last 24 hours to the finish, it’s secret weapon is reliable two-way communication between its drivers and crew.
Matrox NRG ensures uninterrupted uptime of Matrox-based encoding, decoding, IP KVM extension, and display in any operating condition.
