The show’s design team, supported by Ampco Flashlight, the official technical supplier for lighting, rigging and audio, provided one-hundred 4088 Directional Headsets and 40 d:facto 4018V Vocal Microphones from DPA Microphones for all of the show’s vocal performances.
When composing and lighting scenes, DOP’s usually seek to maximize texture and perspective. The rationale is simple: We live in a world that is unmistakably three-dimensional, so DOPs seeking to faithfully represent the natural world exploit a range of ways to promote the three-dimensional illusion.
Olympic Broadcasting Services (OBS) the host broadcaster for the Games was founded twenty years ago and has arguably gone through its hardest and most intense period of digital transformation for Tokyo 2020.
The new 4K KY-PZ400NW/NB and HD KY-PZ200NW/NB cameras provide optimal streaming image quality and performance for remote production over the internet and are equipped with NDI|HX and SRT streaming, H.265/H.264/MJPEG encoding and VITC (Vertical Interval Timecode) multi-camera synchronization technologies. A third option, the new HD KY-PZ200W/B, provides an economical solution, sans NDI|HX. All camera models are available in black or white variations to best match the ambience of the venue/project.
Aside from being the first Summer Olympics to be delayed a year due to a pandemic—shifting technical plans and causing strict work-arounds to comply with health restrictions—this year’s live coverage by NBCUniversal (NBCU) is noteworthy for its move to all-IP operations within the International Broadcast Center (IBC) onsite in Tokyo and for its use of the network’s extensive and disparately located resources to make the Games a success.
The launch of new low orbit satellites for global network coverage will have a significant impact on remote live streaming for broadcasters and webcasters. With the likes of Elon Musk’s SpaceX, Amazon’s Kuiper, or one of the other vendors such as Oneweb vying for vertical space, the outlook for remote communications has never looked more open for change.
NDI Version 5 is loaded with highly anticipated new features and unseen capabilities, because it was announced a month ago and hasn’t been released yet.
TV equipment manufacturers are doing what broadcasters do best: Creatively helping each other work through a difficult technical challenge.
