Cinematographer Sam Levy chose Cooke Anamorphic/i primes to accompany him on his journey in shooting Mayday, a new film from writer/director Karen Cinorre.
In the last article in this series, we looked at why integrated monitoring is a necessity in modern broadcast IP workflows. In this article, we dig deeper to understand what is new in IP monitoring and how this integrates with traditional workflows.
Users can now also purchase the ‘Ninja CAST’ bundle, a combination of the Ninja V and AtomX CAST.
Ikegami says its HDK-73 3-CMOS high dynamic range camera systems plus a Hi-Motion II slow-motion camera have been chosen by Oman TV for integration with an outside broadcast production vehicle.
Qvest and Grass Valley sign $25 million global agreement for media and entertainment infrastructure innovation.
A few years ago, a prominent manufacturer of studio support equipment did something unusual: it went to NAB with an experienced broadcast camera operator to discuss a part of live production that’s invisible when done well. Following a driven golf ball is one of the trickiest tasks in any branch of film and TV, demanding not only skill but equipment which allows people to exhibit that skill.
Tiffen’s Warm Diffusion family premiers three distinctive innovations—all aimed at giving new cinematic looks to today’s diverse array of complexions, dark to light—in camera. Each filter in the series offers the benefits of Tiffen Filter’s effective yet natural-looking diffusion while adding a warm overtone.
_460_345_70.jpg "Part of the show is shot out in the field where the team shoots in a documentary style.")
Panasonic gear used to record culinary show Christopher Kimball’s Milk Street. Sony Venice is the main studio camera.
