When televised sports events began to return after the initial coronavirus lockdown in 2020, U.S. broadcasters faced a dilemma. With no spectators in attendance, what do you do about the lack of crowd noise? This is the fascinating story of how a team of award-winning creative audio engineers set about manually re-creating the right atmosphere.
The need for synchronization rears its head in so many different endeavors that it has to be accepted as one of the great enabling technologies.
The variable directivity microphone is very popular for studio work. What goes on inside is very clever and not widely appreciated.
Wooden Camera is now shipping the Ultra QR Articulating Monitor Mount, a quick-release solution designed to support up to 45 pounds and easily integrate with select SmallHD production monitors.
The AtomOS 10.68 firmware for the Ninja V+ to support 8K ProRes RAW from the Canon EOS R5 is now available to download.
With a film featuring a more mature cast, set in the world of movie memorabilia, The Sixth Reel’s Director of Photography Jendra Jarnagin immediately gravitated to vintage Cooke Speed Panchros to capture a natural look while flattering older skin.
Gravity Media and V8 Supercars recently scored an Australian broadcast first when a Bathurst 1000 race became a full live 4K production, making it the first sport in Australia to be televised at the ultra-high resolution.
New, in-cloud, pay-per-use business models offer new advantages to occasional REMI, field reporting, remote event production and similar content producers and distributors with a better business model to remain competitive and profitable without huge ongoing capital investments.
