Live TV production may not be the best fit for perfectionists who can’t recognize ‘good enough’ and move on. Live TV has no patience, no second chances and can never be late. Every live shot is a first impression.
Malaysian talk show Talking Grace has migrated to cloud production with the help of TVU Networks, a California based provider of cloud and IP-based live video technology.
Cinematographer Sam Levy chose Cooke Anamorphic/i primes to accompany him on his journey in shooting Mayday, a new film from writer/director Karen Cinorre.
In the last article in this series, we looked at why integrated monitoring is a necessity in modern broadcast IP workflows. In this article, we dig deeper to understand what is new in IP monitoring and how this integrates with traditional workflows.
Users can now also purchase the ‘Ninja CAST’ bundle, a combination of the Ninja V and AtomX CAST.
Ikegami says its HDK-73 3-CMOS high dynamic range camera systems plus a Hi-Motion II slow-motion camera have been chosen by Oman TV for integration with an outside broadcast production vehicle.
Qvest and Grass Valley sign $25 million global agreement for media and entertainment infrastructure innovation.
A few years ago, a prominent manufacturer of studio support equipment did something unusual: it went to NAB with an experienced broadcast camera operator to discuss a part of live production that’s invisible when done well. Following a driven golf ball is one of the trickiest tasks in any branch of film and TV, demanding not only skill but equipment which allows people to exhibit that skill.
