It’s still early days for live Dolby Atmos broadcasting in the United States, but Glenn Stilwell, senior audio engineering and operations manager for the Pac-12 Networks, is ready for it. Indeed, not only has Stilwell been experimenting with creating Dolby Atmos mixes in preparation for its more widespread use in live broadcasting, but he is also helping to train A1s in the technical aspects of the immersive format.
LiveU Solo and a fully cloud-based online workflow used to cover over 900 NBL1 live games across Australia increasing nationwide exposure to the games and simplifying the production workflow.
Live TV production may not be the best fit for perfectionists who can’t recognize ‘good enough’ and move on. Live TV has no patience, no second chances and can never be late. Every live shot is a first impression.
Malaysian talk show Talking Grace has migrated to cloud production with the help of TVU Networks, a California based provider of cloud and IP-based live video technology.
Cinematographer Sam Levy chose Cooke Anamorphic/i primes to accompany him on his journey in shooting Mayday, a new film from writer/director Karen Cinorre.
In the last article in this series, we looked at why integrated monitoring is a necessity in modern broadcast IP workflows. In this article, we dig deeper to understand what is new in IP monitoring and how this integrates with traditional workflows.
Users can now also purchase the ‘Ninja CAST’ bundle, a combination of the Ninja V and AtomX CAST.
Ikegami says its HDK-73 3-CMOS high dynamic range camera systems plus a Hi-Motion II slow-motion camera have been chosen by Oman TV for integration with an outside broadcast production vehicle.
