John Harris became a music mixer for broadcast television at a time when there was no such job. In the decades since he’s won 12 Emmys, three Grammys and a Peabody Award and has been at the forefront as the industry has made the transition from stereo to 5.1 surround and now immersive audio.
DPA Microphones has released a new accessory, the MS4099 Mic Stand Mount, for its renowned 4099 CORE Instrument Mic. The company has also started shipping the anticipated brown version of its new 4466 CORE Omnidirectional and 4488 CORE Directional Headset Microphones.
Vinten has introduced the new FHR-155E - a robotic pan and tilt head designed to support full size broadcast cameras and lenses as remote-controlled robotic devices in outdoor locations.
The “FUJINON UA107x8.4BESM-T45” (UA107x8.4), is a 4K-compatible broadcast lens equipped with a new image-stabilisation mechanism and customisation capabilities, and the zoom rate demand unit “FUJINON ERD-50A-D01” (ERD-50A) features a large LCD panel.
Cinematography is not generally a field given to the idea that less is more. Probably the most direct and current expression of that is large format, a term that isn’t even particularly well-defined, let alone a technology that usually produces a particularly identifiable look.
The dearVR MIX AAX/VST3/AU plugin turns any professional studio headphones into an ideal stereo mixing environment, placing the user in the sweet spot of carefully designed mix rooms – all through spatial audio technology.
Creative Solutions (CS) and RED Digital Cinema have announced the launch of a series of multiple camera accessories for the new V-RAPTOR Camera System.
Chinese online video service, iQiyi, has chosen an end-to-end Grass Valley workflow to underpin its outside broadcasting (OB) van upgrade and drive 4K UHD content creation for its audiences.
