Sony has upgraded its flagship cinema camera from 6K to one with a 8.6K sensor plus internal X-OCN recording and ability to interchange sensors between models.
At one time, it was traditional to complain about the things that science had promised us but failed to deliver. Now we actually have a jet pack that’s practical, or at least that lasts more than thirty seconds, we’re free to turn our attention to some other things that seem perpetually just around the corner.
John Harris became a music mixer for broadcast television at a time when there was no such job. In the decades since he’s won 12 Emmys, three Grammys and a Peabody Award and has been at the forefront as the industry has made the transition from stereo to 5.1 surround and now immersive audio.
DPA Microphones has released a new accessory, the MS4099 Mic Stand Mount, for its renowned 4099 CORE Instrument Mic. The company has also started shipping the anticipated brown version of its new 4466 CORE Omnidirectional and 4488 CORE Directional Headset Microphones.
Vinten has introduced the new FHR-155E - a robotic pan and tilt head designed to support full size broadcast cameras and lenses as remote-controlled robotic devices in outdoor locations.
The “FUJINON UA107x8.4BESM-T45” (UA107x8.4), is a 4K-compatible broadcast lens equipped with a new image-stabilisation mechanism and customisation capabilities, and the zoom rate demand unit “FUJINON ERD-50A-D01” (ERD-50A) features a large LCD panel.
Cinematography is not generally a field given to the idea that less is more. Probably the most direct and current expression of that is large format, a term that isn’t even particularly well-defined, let alone a technology that usually produces a particularly identifiable look.
The dearVR MIX AAX/VST3/AU plugin turns any professional studio headphones into an ideal stereo mixing environment, placing the user in the sweet spot of carefully designed mix rooms – all through spatial audio technology.
