If 2020 was considered a disruptive one for the television production community, 2021 was a year where trial and error and the lessons learned became real-world REMI deployments to keep live sports and entertainment content on the air. Production studios too learned to adapt with fewer crew allowed inside and social distancing becoming the new normal.
Teradek, a member of the Vitec Group’s Creative Solutions division, has announced a new ultra-low latency monitoring server for their Core cloud service: Wavelength Sputnik.
Here we look at the science of using a matched pair of microphones positioned as a coincident pair to capture stereo sound images.
2021 saw the end of a British lighting institution with the demise of Photon Beard. The company has existed since the founding of R. R. Beard Limited, founded in 1882 by a man who reveled in the fantastic name of Robert Royou Beard.
Dejero’s EnGo 265 mobile transmitter provides next-level reliability for newsgathering and live broadcasts.
Creamsource announced Vortex4, a 1’x1’ 325W high-powered LED for film production. Shipping in March.
Back in the fall of 2020, several months after private equity firm Black Dragon Capital completed its acquisition of Grass Valley, it became apparent to the company’s management team that it had an unpolished jewel in the GV portfolio that needed attention. Given the virtualization changes, cost cutting and high demand for new content occurring within the industry, customers who served as beta testers told them, “this AMPP thing is going to change the industry.”
Vislink has announced the launch of Mobile Viewpoint BaseLink 5G, its newest mobile encoder product for remote production and demanding live streaming applications.
