With increasing regularity, digital cinema cameras like Sony’s VENICE and RED’s KOMODO cameras are making their way onto the fields of major live sporting events and into multi-camera video coverage to create a “cinematic” look that enhances the viewing experience.
Dejero will be showcasing its new EnGo 265 mobile transmitter at NAB with built-in GateWay mode, as well as integrations with Grabyo and Dazzl cloud video platforms. Enhancing productivity and simplifying cloud-based workflows of remote news teams, live events broadcasters and media production crews will be the theme.
Companies, educational institutions, and live event organizers around the world raced to revamp their content creation strategies during the pandemic and virtualize a range of activities – from internal training and communications to delivering dynamic content to remote audiences.
ENG and EFP cameras continue improving and adding IP features as the industry continues its transition to more remote operation.
ATOMOS has announced that the NINJA V and NINJA V+ will support recording of Apple ProRes RAW over HDMI for the new OM-1 Micro Four Thirds (MFT) camera from OM SYSTEM. The NINJA V/V+ will record 12-bit ProRes RAW video at the DCI 4K standard up to 60fps.
In digital television broadcasting, what matters is that the pictures should be displayed at the correct frame rate and lip-sync should be achieved in an isochronous system.
Thoroughbred Racing Productions (TRP), a leading provider of production services for the Australian thoroughbred horse racing industry, recently purchased some high quality FUJINON 4K lenses for their new OB fleet.
Cooking has long been a popular subject for television, partly because everyone has to eat, but also because it’s the sort of programming that can, in principle, be turned out of a studio in half-hour chunks, several times a day.
