The 2022 Commonwealth Games will be the biggest sports event on UK shores since London 2012 with around 1.5 billion global audience expected to watch over the 11 day event beginning July 28. Bidding for the host broadcast contract began in summer of 2019 with the award announced for Sunset + Vine in April 2020. Here’s what S+V plan with a special focus on one of its OB partners, Gravity Media.
All lenses suffer from various imperfections that reduce sharpness. However, even if the lens elements were ideal and caused no loss of resolution, lenses still can’t focus to a perfect point.
Nobody’s risking much, in 2022, by assuming we’re living through the genesis of virtual production. There are enough high-profile productions happening to lend the technique some legitimacy, and while the surge in both interest and the provision of facilities makes it hard to say how demand and supply are matching up, activity is at fever pitch.
Broadcast engineers can now streamline their workflow with a new tool from Videosys Broadcast, a manufacturer and supplier of quality camera control systems, RF links and camera backs to outside broadcast providers.
On one hand, film might seem dead. On the other, the last few months have seen a flurry of activity which is emblematic of a wider interest in the field that’s continued ever since the technology fell out of mainstream use. It’s been suggested that photochemical origination is settling into a new normal, and that’s not hard to substantiate.
Almost since photography has existed, people have pursued ways of modifying the picture after it’s been shot. The “dodge” and “burn” tools in Photoshop are widely understood as ways to make things brighter or darker, but it’s probably less widely understood that they refer to techniques for exposure control that date all the way back to the earliest days of darkroom image processing. Bring moving images into the mix and consistency becomes a big concern too. Individual still photographs might be part of a single exhibition, but they don’t have any concept of being cut together in a sequence.
Every TV viewer compares live content with what they regularly see on TV, with multimillion-dollar talent with more multimillions in technical equipment and support.
The new VCLX NM2 delivers 600Wh of consistent power at 14.4V, 28V and 48V to drive high-power draw equipment at peak performance on cinematic productions.
