We discuss the business case and technology challenges of using cinema cameras in live sports broadcast with Mark Chiolis of Mobile TV Group.
In an increasingly digital world, it may be useful to look at the amount of data needed to represent various media. Note that the amount of data is being considered; the amount of information will always be somewhat less than that.
Solar Panels, or photo-voltaics (PV), have their uses, but they also have their drawbacks.
_460_259.png "StarTracker current generation (top left), StarTracker Max (top right) and StarTracker Mini (front centre).")
Mo-Sys Engineering plans to introduce two new StarTracker products together with an innovative exchange programme. The StarTracker Mini will expand the range, increasing its market reach to a new generation of Virtual Production creators, while StarTracker Max shows off its improved camera tracking technology for professional broadcast and cinematic use.
There has been an almost inevitable surge in TV production in the UK as the pandemic recedes. The way the sector has rapidly hit production capacity highlights some long-term issues with how the industry attracts and trains new talent.
The Fourier Transform is complex in the mathematical sense, which means that each coefficient is represented by complex number.
Dejero transmitters, encoders, receivers, network aggregation devices and content sharing service at the heart of HRT’s field reporting.
Most people are aware that any color can be mixed from red, green and blue light, and we make color pictures out of red, green and blue images. The relationship between modern color imaging and the human visual system was recently discussed by John Watkinson in his series on color. In this piece, we’re going to look at something that comes up often in modern film and TV technique: color gamuts. It’s a term that suffers a lot of misuse, but the basics are simple: a color image uses red, green and blue, and the gamut describes which red, which green, and which blue we’re using.
