This new multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading system designers. It is a fascinating insight into what is being done every day around the world.
As we head into another new year it seems ok to indulge in some obvious speculation about what the future may bring. Here we consider the proposition that eventually, and probably not far into the future, broadcasters will have to deal with immersiveness. Why is this likely, and how should we approach it?
Eswatini Broadcasting and Information Services (EBIS) radio, the national broadcaster of the Kingdom of Eswatini, has embarked on a major technology upgrade with the installation of Lawo’s diamond Modular Broadcast Consoles.
Most microphones need a diaphragm in order to follow some aspect of the air motion that carries the sound.
Shinobi II monitor supports Canon, Sony, Nikon touch to focus with new feature update.
Welcome to Part 3 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production.
Part 3 discusses the creative challenges of HDR & WCG, why automation is more challenging than it might first appear and the potential impact of ongoing developments in consumer display and camera technologies.
Well-executed productions come off seamlessly to audiences, regardless of the delivery format, but their underpinning is complex. Today, crews often work with a host of high dynamic range (HDR) and standard dynamic range (SDR) cameras and equipment, each with its own color science. Achieving a consistent look often requires crews to be able to color match production cameras and easily convert between SDR and HDR standards. However, broadcasters can still encounter quality control (QC) issues, where the feed they output looks “off” and adjustments must be made.
Mediacorp, Singapore’s largest media conglomerate, has selected Lawo’s advanced IP broadcast technology for its alternative broadcast center (BBTC), reinforcing the company’s move towards IP-based infrastructure.
