Colombian state owned television station Canal 1 relies on Blackmagic Studio Camera 6K Pros to capture the weekly interview show “1 a 1” as well as the daily cooking show “Tú Tienes la Sazón.” Canal 1 also uses DaVinci Resolve Studio editing, color grading, visual effects (VFX) and audio post production software to edit and grade the shows, which not only air to a national broadcast audience but are also made available on the station’s social media platforms.
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
As part of the “Ü6 Renewal” project, Studio Berlin has replaced its long-standing Ü6 HDTV outside broadcast (OB) truck, in service since 2006 for countless TV productions, with a modern, permanently installed control room at its Hamburg facility. Central to this new control room are innovative AoIP solutions from Lawo, combined with a RAVENNA network, significantly streamlining workflows, and greatly increasing production flexibility.
LiveU’s IP-video technology has been synonymous with election coverage since the company was founded in 2006, enabling networks and journalists to deliver non-stop on-the-ground reporting and real-time results. The 2024 US Presidential Election took the coverage to new heights with the LiveU EcoSystem operating at full strength over the Election Day 48-hour period. Over 4,000 field units were in use, representing the largest fleet of LiveU encoders ever deployed for a single event – almost double the number deployed for the 2020 US election. 925 customers from 56 countries worldwide transmitted over 40TB of data, representing almost 40,000 hours of live content (that’s over four and a half years of live coverage!).
Korean cable television network SBS Medianet has expanded its production base with the purchase of Ikegami UHK-X700 cameras for live coverage of a major golf tournament. SBS Medianet has invested in a total of 32 UHK-X700 camera chains during 2024. The cameras were chosen for their high video quality and versatility including the ability to perform efficiently and effectively in outdoor live broadcasting conditions.
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio, NDI Bridge and NDI Remote.
All aspects of video, including IMAG projection, during the Maspalomas Costa Canaria Soul Festival were delivered using an acquisition control and delivery solution from Blackmagic Design.
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast production systems. This series builds on the foundations of the extensive library of work already published by The Broadcast Bridge on IP and scalable software defined infrastructure. This content collection delves deeper into various aspects of how IP based systems work, with detailed technical explorations of key themes including; design philosophies, discoverability, hybrid systems, remote production, cloud infrastructure and software control layers.
