How adding PTP to asynchronous IP networks provides a synchronization layer that maintains fluidity of motion and distortion free sound in the audio domain.
As an industry leader in design, project management, manufacturing and installation, ACE Sports offers the best in video/scoreboards, audio and production equipment for every sport across North America, including at the high school, collegiate and professional levels. For the company’s recent installation at Nashville High School in Arkansas, JVC Professional Video provided a complete, glass-to-glass production solution, featuring two of its industry-recognized GY-HC500UN CONNECTED CAM Handheld Production Cameras and a full complement of the brand’s workflow tools.
This article describes the various codecs in common use and their symbiotic relationship to the media container files which are essential when it comes to packaging the resulting content for storage or delivery.
This is a list of the commonly used media container file formats, their owners and the dates when they were created.
This is a list of the abbreviations for media container files which are commonly used within documentation.
This list of file container formats and their extensions is not exhaustive but it does describe the important ones whose standards are in everyday use in a broadcasting environment.
Talk to any audio engineer in the broadcast or live segment and they will tell you that separating the control surface (some call it the front end) from the I/O stageboxes and routing/patching section (the back end) as well as the DSP processor makes their lives so much easier, especially if such a setup evolves around an intuitive management system.
The Bathurst 1000 is a massive production by anybody’s standards, with 175 cameras, 10 OB’s, 250 crew and 31 miles of fiber cable. Here is how the team at Gravity Media Australia pull it off.
