Mike Germond, owner and operator of Orlando Steadicam, specializes in stabilized camera shots for major sporting events, commercials, films, and concerts. He says the shots begin with reliable batteries.
Shopping for LED video lights can be a daunting affair, with literally hundreds of models from dozens of manufacturers at every price point. What is the difference and how can a non-expert tell which ones work well and which ones don’t?
What broadcast engineer, video or audio technician or camera person hasn’t wanted to work the Super Bowl? Being part of the broadcast team for the most high-profile event in U.S. television is considered by many to be a career-crowning achievement. For those who do work the Super Bowl, it may be just another weekend football game—albeit one with an intensity that is off the chart!
Intelsat and its partners demonstrate the readiness of 4K UHDTV technology for satellite delivery
The Super Bowl is as much about sound as it is the specular images generated by millions of dollars in video gear.
LTE and broadband are being redefined by R&D, 3GPP and the FCC.
What do the Boeing 787 Dreamliner jet aircraft and Tesla Motors electric car have in common with advanced video battery technology? A lot actually, since both manufacturers are driving the latest in lithium-ion battery technology used in digital video cameras and other production gear.
There are select sports which attract an audience far beyond that of the immediate game or fan base. The Super Bowl is one such event. And all things being equal, it is on track to exceed last year’s record 111.5 million viewers to become the most viewed telecast not only of 2015 but of all time in the US.
