Our resident cinematographer and all-round imaging expert Phil Rhodes walked the floor at the 2024 NAB Show and this is what he made of it all.
Our partner Lawo discuss how a hybrid infrastructure that combines SDI and server based processing technologies, connected by an ST 2110 IP core offers the best of all worlds.
5G is a collection of standards that encompass a wide array of different use cases, across the entire spectrum of consumer and commercial users. Here we discuss the aspects of it that apply to live video contribution in broadcast production.
The School of Cinematic Arts at the University of Southern California (USC) is renowned for its wide range of courses and degrees focused on TV and movie production and all of the sub-categories that relate to both disciplines. Following real-world industry trends, as it always has, last fall the school launched its inaugural (and highly popular) series of classes on virtual production—that is, shooting in-camera effects against a large LED wall.
We’ve all witnessed its phenomenal growth recently. The question is: how do we manage the process of adopting and adjusting to AI in the broadcasting industry? This article is more about our approach than specific examples of AI integration; there’s plenty of time for that later.
Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.
We discuss the challenges of shooting the northern lights in the winter dusk and within the confines of a recreated International Space Station with cinematographer Markus Förderer.
PROTON Camera Innovations - a German innovator in the field of miniaturised cameras – will be using their first attendance at NAB2024 to launch PROTON CAM, the world’s smallest broadcast-quality camera.
