Amimon makes the case of UAV HD video capture in sports broadcasting.
In the province of broadcasting, live sports have recently come to occupy a unique place in entertainment: they’re one of the few types of broadcasts that viewers still primarily watch live and in real time. Not only do sports broadcasts often make use of the latest and greatest technologies to keep viewers fully engaged and coming back for more, they have also added music and entertainment elements to further escalate viewers’ expectations.
Anyone who says engineering live field production is a breeze isn’t serious.
While it is easy to mount multiple wireless GoPro cameras around an event area.The real issue becomes how to accurately switch between them. Fortunately, there now is a solution.
Perhaps no equipment category will be more negatively affected by the upcoming FCC spectrum auction of U.S. airwaves than wireless microphones. For manufacturers of such wireless products, which have relied on a certain spectrum band to operate effectively for years, the impending channel changes have caused a slump in business, as concerned customers are not buying for fear of their systems becoming obsolete.
It is inevitable, that once content becomes separate from the carrier, a transition that has already taken place, data networks will replace baseband.With the transition to digital essentially complete, we now get to reap the benefits, and havoc, that media freed of any physical carrier brings with it.
Bonded cellular system technology progress is marked with MoJos and IP-based live stream sharing services.
High Efficiency Video Coding (HEVC) is the latest and certainly an efficient compression standard targeted at today’s high pixel count images.
The recent spate of announcements from camera manufacturers about plans to market HD and 4K shooters capable of accepting B4-mount standard lenses has been welcomed by the industry and appears to have brought live UHD broadcast launches closer.
