Recent Content

The crew filming Prince Harry And The Walking With The Wounded Team on their trek to the South Pole.

Applied Technology: Timecode Systems — It’s All About The Sync February 22nd 2017 - 04:00 PM

In the last decade, there has been a significant shift what viewers like to see on their televisions with much of that content recorded as live reality style shows. Capturing such spontaneous content brings many challenges, but one of the biggest is managing the huge amounts of media created. Fortunately, with the help of timecode and synchronisation, it is possible to wrestle back some control over the content while saving money.

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How to Record the Audio of a Moving Subject February 20th 2017 - 10:00 AM

Often called “walk-and-talk” recording, videographers are often confronted with recording the audio of subjects in their workplace or during an interview with two or more people walking in full motion. Here’s how to insure excellent audio.

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Maintaining Realistic Maximum Sound Pressure Levels with Dynamic Microphones February 15th 2017 - 11:00 AM

When recording live audio with a dynamic microphone, a good recordist may want to know what is the maximum sound pressure level that mic can handle without distorting. As with many such seemingly basic questions in audio, the answer is not so simple.

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Figure 1: Oculus Rift—with headphones.

CES 2017:  The ‘VR’ Reality February 13th 2017 - 01:00 PM

CES 2017 has come and gone with most press reporting Virtual Reality landed with a virtual thud. My view of CES is different because I see two very different types of VR.

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Testing in an anechoic chamber

How Microphone Frequency Response Relates to Recorded Sound February 9th 2017 - 01:00 PM

One of the most popular microphone specs is frequency response. However, is the frequency response spec really an accurate description of a microphone’s sound characteristics?

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Why Microphone Self-Noise is Important to Recording February 6th 2017 - 11:00 AM

Self-noise in a microphone is important if the recordist is seeking to come as close as possible to making a clean, noise-free recording. But how does one read self-noise specs and what numbers are good and bad when making a decision on which microphone to use?

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Spectrum congestion ramps up in the days leading to Super Bowl LI. Photo courtesy LiveU.

Super Bowl LI RF Congestion February 1st 2017 - 01:00 PM

The glamor of TV sports journalists swarming and reporting from big pre-game venues is nearly impossible for visiting fans to ignore, but the real TV action on and off the field is invisible without a spectrum analyzer.

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On board Game Creek’s Encore production control room, complete with Grass valley production switcher and EVS Replay systems.

51st Super Bowl Coverage Starts with Remote Production Expertise January 27th 2017 - 01:00 PM

This year’s NFL Super Bowl telecast, to be broadcast live on the Fox Sports Network, will once again provide a proving ground for the latest remote audio and video technology, with a few new twists thrown in for an added “wow” factor. Interestingly, much of the big game will be shot in 4K and HD simultaneously, although Fox Sports will be broadcasting the main action live in 1080i HD resolution.

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