On one of my first media jobs, the manager put a sign on the wall that said: “A clean kit is a happy kit.” What he meant, of course, was to label recorded tapes, re-charge spent batteries, keep things in their place and make sure all cables are properly wound and ready to go. Good advice, except I’m amazed at the number of people who ignore this advice.
Recording high quality sound at noisy outdoor locations can be a real challenge for videographers. Here is some advice on using shotgun microphones to help ensure that location sound is not only useable, but of top quality.
As recording has gradually moved away from large studios to small spaces, the difficulty to getting a big “live” sound has become more difficult to achieve. There are, however, some tricks that allow the expansion of small rooms to sound much bigger than ever expected.
The stars are aligning for a new era of immersive audio in storytelling. Audiobook sales are steadily growing, the popularity of non-musical audio in personal podcasts is exploding and immersive audio technology is making compelling audio cheaper and easier to produce.
The HPA Retreat took place in February in Palm Springs, CA. Part 1 of this two-part series can be found in the link at the end of this article.
An Iris-free lens? This revolutionary technology will be here soon. But what will it mean to shooters and videographers and the images they capture?
There are any number of media conventions, conferences, trade shows and technical meetings across the world, but before last year there was only one technology retreat, HPA.
What’s old is new again. An ironic confluence of interrelated events — one that brought ribbon microphones to the front and center of broadcasting in the 1930s and to seemingly lose favor in the 1960s — is back again after 85 years.
