One of the most critical components of any studio is a large diaphragm condenser microphone. It is the centerpiece of the studio’s sound. But how do you take care of these mics? Here is a guide.
IP has now come of age and many broadcasters are looking to transition to ST2110. The Broadcast Bridge has been championing IP education and in this unprecedented IP seminar they have brought together leading industry experts to deliver an in-depth case-study of the world’s leading ST2110 IP installation at NEP Australia.
Philo T. Farnsworth was the original TV pioneer. When he transmitted the first picture from a camera to a receiver in another room in 1927, he exclaimed to technicians helping him, “There you are – electronic television!” What’s never been quoted but likely the first question raised was “What do we do with it?”
The U.S. Department of Transportation (DOT) and Federal Aviation Administration (FAA) have announced a new Interim Final Rule banning the transportation of lithium-ion batteries in passenger aircraft cargo.
New England Patriot quarterback, Tom Brady, entered Mercedes Benz stadium in Atlanta, GA on February 3rd having already won five Super Bowl games. And through four-quarters of play, all delivered by a television crew of hundreds of technicians, sports casters and engineers, about 100 million television viewers watched Brady add another victory to his historic play by setting the record for the most Super Bowl victories by any player in the league, now totaling six.
New technologies with more bandwidth make the bonded cellular video connections at Atlanta Super Bowl more reliable and stable.
_460_307_70.jpg "Super Bowl 2019 will use use 8K camera technology at the big game. Image: By Thomson200 - Own work, CC0.")
Super Bowl 2019 will raise the bar for live broadcasting technology with innovations in augmented reality (AR) and use of at least one 8K camera, while also highlighting past innovations that have fallen out of favor.
Like many professional football players themselves, CBS Sports Lead television director Mike Arnold tries to treat the Super Bowl as he would a regular season game, calling the same shots and camera angles—albeit with many more cameras at his disposal, augmented reality graphics on the field and virtually every part of the playing field mic’d up.
