The 2 new hardware control panels are designed to access the full power of ATEM Constellation HD and 4K switchers. The new ATEM 1 M/E Advanced Panel 20 and 30 models feature the same elegant design as the 2 M/E and 4 M/E Advanced Panels, but in a compact size to fit into any broadcast studio space. The new 1 M/E panels include up to 3 system control LCDs, buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M/E rows as well as a joystick, T-bar fader and more.
Working for the Royal Ocean Racing Club, UK, organisers of the Fastnet Race, streaming and broadcast production company Optical Media was tasked with providing eye-catching coverage of the start of the race in late July. The largest offshore contest in the world, the bi-annual event begins at Cowes on the Isle of Wight, and finishes in Cherbourg, France, having first ventured out into the Atlantic Ocean.
Sending out a crew to capture a real-world environment can be a more straightforward option than creating a virtual world, but there are some quite specific considerations affecting how the material is shot and prepared for use.
John Watkinson continues his exploration of the potential for a true motion tv system that requires the complete removal of frame sampling to make each pixel a continuous representation of the image thus removing motion artefacts.
Understanding IP Broadcast Production Networks is a free 62 page eBook containing a collection of 14 articles which provide the basic building blocks of knowledge required to understand how IP networks actually work in the context of broadcast production systems.
A powerhouse 1x1 production LED light with a brand-new, custom-designed LED optic system, the ANOVA PRO 3 is the most advanced light Rotolight has ever produced. With over 22,000 lux, the ANOVA PRO 3 produces more than double the output of both the previous generation Anova, and the mighty AEOS 2 PRO. The ANOVA PRO 3 arrives delivering a range of revolutionary, industry-first features and unparalleled versatility for TV production, filmmakers, professional photographers and content creators.
Ned Soseman gives us a rundown of some of the trends in US regional TV stations and what the biggest budget items have been in 2023.
Virtual Production For Broadcast is a major 12 article exploration of the technology and techniques of LED wall based virtual production approached with broadcast studio applications in mind. Part 3 examines shooting locations for virtual production, creating virtual versions of real objects and motion capture.