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Super Bowl 2019 will use use 8K camera technology at the big game. Image: By Thomson200 - Own work, CC0.

CBS Trumpets Augmented Reality and 8K at Super Bowl 2019 January 31st 2019 - 01:00 PM

Super Bowl 2019 will raise the bar for live broadcasting technology with innovations in augmented reality (AR) and use of at least one 8K camera, while also highlighting past innovations that have fallen out of favor.

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CBS lead NFL director Mike Arnold (left) will direct the AFC Championship game and Super Bowl LII for CBS Sports. (Photo: CBS Sports).

TV Director Treats Super Bowl Telecast Like Any Other Game January 30th 2019 - 08:00 AM

Like many professional football players themselves, CBS Sports Lead television director Mike Arnold tries to treat the Super Bowl as he would a regular season game, calling the same shots and camera angles—albeit with many more cameras at his disposal, augmented reality graphics on the field and virtually every part of the playing field mic’d up.

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William Lecoq driving the AVIWEST remote production cart providing live video for the French Open golf tournament.

How to Set Up a Superior Remote Production for Live Sports January 25th 2019 - 09:00 AM

New technology is often leveraged to provide viewers with more exciting play action for live sports. Whether it’s football goal-line cameras, basketball hoop cameras or field graphics for soccer, getting the viewer ever closer to the action is always better. This article examines some of the challenges faced in providing streaming capability for a mobile production unit to cover the French Golf Open.

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It will be a match-up of the New England Patriots and Los Angels Rams in the 2019 Super Bowl game.

Graphics to Virtually Enhance the CBS Super Bowl LIII Broadcast January 24th 2019 - 08:00 AM

During Super Bowl LIII, the football action will be on the field. But a lot of the action will be enhanced by incredible new graphics, some virtual, that CBS is using to super charge the screen.

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Atlanta’s Mercedes Benz Stadium will host the 2019 Super Bowl and millions will be watching on CBS Sports.

Super Bowl LIII Set To Dazzle On CBS January 22nd 2019 - 08:00 AM

This year’s Super Bowl LIII telecast on CBS will be produced and broadcast into millions of living rooms by employing the usual plethora of traditional live production equipment, along with a few wiz bang additions like 4K UHD and an 8K camera for replays, and specially equipped wireless handheld cameras supporting augmented reality graphics and motion tracking on the field. The network said that 115 cameras would be used, 86 for the main broadcast alone, giving viewers an unprecedented television viewing experience.

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Shooting live from a helicopter.

The Benefits of Using Bonded Cellular for Live Broadcast Applications January 10th 2019 - 01:00 PM

As broadcasters aim to deliver superior-quality video content for live news and event coverage, data costs are spiraling out of control. Yet, technological advancements have been made that significantly reduce the bitrates typically associated with broadcasting high-quality video in real time over bonded cellular and the public internet. This article will explain how live HD interviews and events can be streamed, stored, and recorded content forwarded, even in the midst of unpredictable and unmanaged network conditions using bonded cellular technology. The benefits of a bonded cellular approach will be discussed, including lowering cellular data consumption without compromising on video quality.

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Data reflects the increasing demand for professional-grade video quality, a trend evident at this summer’s FIFA World Cup in Russia.

Remote Links Moving to HEVC January 3rd 2019 - 11:00 AM

LiveU’s 2018 ‘State of Live’ report says HEVC now represents 25% of worldwide traffic. In addition to growing HEVC adoption, data also indicates a 55% increase in live transmission hours and emergence of 4K resolution in live broadcasting.

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The Combining of Video with Still Photography December 10th 2018 - 10:00 AM

The trend began in 2008 — 10 years ago — when Nikon introduced the first DSLR camera that combined video capability with still photography. Since then the powerful combo has accelerated, now with news organizations reorganizing their staffs to employ “visual journalists” that do both.

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