The cameras proved critical to the station’s virtual production of Bucheron’s “Anthony Awards”.
The #1 rule of live broadcasting is that things tend to fail at the worst possible time. The greater the ratings, the more likely something highly unlikely but mission-critical will fail, broadcast RF and wireless communication systems included. Count on it.
The lighting grid is daylight balanced (5600K) and features a mix of Brightline L1.2 and L1.4 LED SeriesONE studio fixtures, BL.16 long-throw beam compact fixtures, and Lupo DayLED fresnels.
When CBS Sports broadcasts images of the players taking the field on February 7th for Super Bowl LV to millions of viewers around the world, it will be the culmination of the most challenging season for live football sports production in the U.S.
For nearly two years, Michael Taylor, owner of MTJIBS — the Fort Lauderdale, Florida camera support company, has wanted to expand the company’s arsenal of solutions that they could offer their clients. But during that time, he couldn’t find the proper system to invest in that would match the high demands of the industry. Then he discovered the Motion Impossible AGITO modular dolly system.
The requirement for a wide dynamic range to be provided economically is usually met by what is loosely called gamma, which is a non-linear transfer function having numerous drawbacks. However, there is an alternative form of what might loosely be called gamma, which is floating point.
The LCP Lighting Control Panel Series is for lighting and video wall installations.
A box-type zoom lens with the world’s highest 66x magnification and a portable zoom lens with the world’s widest 7.6mm focal length will be released in February 2021.