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Every decade has had a buzzword. Watch a 1950s educational movie and realize how dated the term “atomic” sounds now, and not only because the downsides of nuclear power have since become so painfully apparent. Since then, we’ve been sold technology marked “transistor,” “digital,” and now “AI,” although sometimes it’s not quite clear how key those things are to the success of a technology.
An update to Ninja V includes the option for H.265 codec upgrade. Meanwhile, Ninja V+ - is built for Apple ProRes RAW 8K productions, and Ninja Stream - 4Kp60 HDR for a high-quality social distancing production environment.
The peculiarities of the motion of planet Earth are responsible for much more than seasons and the midnight sun and it took a while before it was all figured out.
Mark Roberts Motion Control (MRMC) has upgraded its innovative Polymotion Chat automated camera control software to provide new tiered access points to its ground-breaking technology.
Without intercom, a live broadcast production would soon degenerate into chaos. A whole industry has been built on the protocols intercom users have adopted and everybody involved in the production must be able to hear the director’s instructions, clearly and concisely.
Sony says it has worked to match recent dramatic changes in market needs with useful and pragmatic innovations including new IP extender tools.
Grass Valley’s Kahuna 6400 production switcher is central to DORNA Sports’ workflow for the live production of the 2021 Grand Prix motorcycling season.
There is a school of thought that suggests increasing the brightness through the contrast control on a television will give a higher dynamic range. However, this doesn’t necessarily increase the contrast ratio. Quantization noise is the enemy of dynamic range and increasing brightness in a system with a low bit depth makes quantizing banding obvious. When banding occurs, the brightness must be turned down to remove it or, the bit depth should be increased.