High dynamic range and wide color gamut combined with 4K resolution and progressive frame rates have catapulted broadcast television to new levels of immersive experience for the viewer. As HDR and WCG are relatively new to television, we need to both understand their application and how we monitor them to enable us to surpass the levels of quality and immersive experience cinematographers’ demand.
CBS mega hit S.W.A.T. has always been fast moving—on air and on set. Shot on multiple stages at Santa Clarita Studios and diverse locations throughout the Los Angeles area, the series averages 100 set-ups per day. Giving life to the adrenalin pumping story lines has always been a creative feat for accomplished cinematographer Francis Kenny, ASC (Justified, Heathers, Bruce Beresford’s Bonny & Clyde, New Jack City), and his crew.
LynTec is the power control solutions provider of choice for Campbellsville University in Campbellsville, Kentucky.
_460_307_70.jpg "Facilitates a streamlined, efficient live video workflow with SRT working in conjunction with LiveU’s LRT protocol.")
LiveU joins SRT Alliance to further interoperability for high-quality, low latency video streaming over the internet.
Norway’s biggest commercial broadcaster, TV 2 Norway, has chosen Grass Valley’s Kaleido-IP Video Multiviewer as part of its migration to open standards-based IP workflows.
We move on to looking at developments in noise cancelling technology and the role it can play in achieving clarity and comfort within headsets for intercom use.
Its CV568 and CV368 POV global shutter cameras with genlock are for applications requiring high speed or low light capture.
Grass Valley to enable NBC Olympics to support IP processing, control and monitoring of remote and studio-based feeds during Tokyo Olympics coverage.