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Matrox NRG ensures uninterrupted uptime of Matrox-based encoding, decoding, IP KVM extension, and display in any operating condition.
‘Table Top Time,’ from Josiah ‘Jazza’ Brook is being created using Pocket Cinema Camera 6Ks, Pocket Cinema Camera 4Ks and ATEM Mini Extreme. The Blackmagic Design workflow was first used to shoot an eight camera roll playing battle to celebrate the new channel hitting 100K subscribers.
In this second installment of our extended article looking into HDR for cinematography we look at the practical aspects and applications of HDR.
Grass Valley continues to help customers deliver more compelling content at low-cost entry points with the latest addition to its portfolio, Playout Xpress.
It’s nothing new for technological change to make things obsolete, but a camera manufacturer in the early 2020s might be forgiven a little nervousness. Just look at a catalogue from any electronics retailer in the late 80s. Bedside clock? More or less displaced by phones. Radio? Same. Walkman? Cellular communication devices do that, too. Dictaphones? You guessed it. And cameras? Well, holiday camcorders are a distant memory, as are point-and-shoot stills options.
Public internet-based remote TV production adds new critical monitoring points to avoid digital cliffs.
TVU Networks, a Californian IP video technology developer, has added integrated support for Center Stage, a new iPad Pro feature that automates subject tracking, to its TVU Anywhere app.
High dynamic range and wide color gamut combined with 4K resolution and progressive frame rates have catapulted broadcast television to new levels of immersive experience for the viewer. As HDR and WCG are relatively new to television, we need to both understand their application and how we monitor them to enable us to surpass the levels of quality and immersive experience cinematographers’ demand.