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Wooden Camera’s latest collection of kits and accessories for the Blackmagic Pocket Cinema Camera 6K Pro is now shipping.
For most of its history, film and TV work has, by any sane measure, been incredibly complicated. Photochemical film was a nightmare of precision engineering and process control. Digital alternatives, intended to make things cheaper and simpler, involve some of our highest-performance electronics.
TVU Networks, a provider of cloud and IP-based live video technology, has been supporting new and existing customers on site at the Summer Games in Tokyo.
The pressure to extract more revenue from ever shrinking budgets, due to expensive content rights contracts, is causing Broadcasters to re-evaluate—and in many cases reduce—how they spend their money on production tools and infrastructure. Recognizing this, live production technology providers like Grass Valley are getting “creative” in how they sell their products and cloud-native systems.
The conversion of monochrome TV to color was quite a trick, but it came at a cost.
The studio at Visual Three boasts a robust 4K/UltraHD HDR infrastructure equipped with a range of AJA’s powerful broadcast solutions, including the FS-HDR real-time HDR/WCG frame sync and converter, to produce pristine content for live workflows.
This has been a year in which we all—reporters, producers and station engineers—had to learn the basics of good lighting, particularly the three-point setup pioneered by famed lighting inventor Ross Lowell for in-home studios. However, lighting fixtures and kits in general got lighter and easier to use, even for large studio and ENG applications as well.
John Seale AM ACS ASC uses FUJINON Premista 19-45mm lens on new George Miller film Three Thousand Years of Longing.