The AtomOS 10.68 firmware for the Ninja V+ to support 8K ProRes RAW from the Canon EOS R5 is now available to download.
With a film featuring a more mature cast, set in the world of movie memorabilia, The Sixth Reel’s Director of Photography Jendra Jarnagin immediately gravitated to vintage Cooke Speed Panchros to capture a natural look while flattering older skin.
Gravity Media and V8 Supercars recently scored an Australian broadcast first when a Bathurst 1000 race became a full live 4K production, making it the first sport in Australia to be televised at the ultra-high resolution.
New, in-cloud, pay-per-use business models offer new advantages to occasional REMI, field reporting, remote event production and similar content producers and distributors with a better business model to remain competitive and profitable without huge ongoing capital investments.
Still photo lenses find their way into film and TV work via many different routes and for many different reasons. It’s happened so much that the prices on some popular options have risen precipitously in recent years. Are there still good deals to be had?
Though mostly a publicity stunt, Major League Baseball’s Field of Dreams Game live telecast on August 12th proved to be a hit for everyone involved—including the Fox Sports team and production company Game Creek Video—tasked with putting it on.
Although it may seem that remote production was born out of necessity to address a growing demand for distributed workflows amidst global lockdowns, it was already gaining momentum prior to the pandemic, which accelerated the trend. But why is remote production so attractive, and what is the broadcast industry doing to advance this initiative? What will it look like in the next ten years?
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Filmmaking is not usually a weekend pursuit, but a sufficiently clever script can make a wide-ranging story happen in a very contained space.