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Creamsource announced Vortex4, a 1’x1’ 325W high-powered LED for film production. Shipping in March.
Back in the fall of 2020, several months after private equity firm Black Dragon Capital completed its acquisition of Grass Valley, it became apparent to the company’s management team that it had an unpolished jewel in the GV portfolio that needed attention. Given the virtualization changes, cost cutting and high demand for new content occurring within the industry, customers who served as beta testers told them, “this AMPP thing is going to change the industry.”
Vislink has announced the launch of Mobile Viewpoint BaseLink 5G, its newest mobile encoder product for remote production and demanding live streaming applications.
MKTG Sports + Entertainment, a global integrated agency who operate the MCG Scoreboard Control as part of the commercial rights agreement to deliver the AFL, are contractually obliged to produce in-venue coverage of AFL matches for the two big screens separate from the broadcast coverage.
Planning for any kind of live TV broadcasting starts with a ‘what-if?’ list. What if the power source fails? What if a key production person gets sick or hurt? What if broadband internet access becomes unstable? What are the chances for each ‘what-if?’ and what back-up alternatives fit the budget? The list should be as lengthy as it is easy to edit.
BB&S Lighting of Denmark adds the Compact Bicolor Fresnel to its range of Compact Beamlight LED studio fixtures.
A technology might seem to be near maturity when design approaches that were once theoretical, and impractical to build, become easier to make and start to hit the market. LED lighting isn’t necessarily easy to build in 2021, which is why it’s still not as affordable as we’d all like, but some advanced techniques are becoming more everyday.
The AtomOS 10.71 update for NINJA V and NINJA V+ monitor-recorder devices, introduces ProRes RAW recording options for the legacy Sony FS series, the Canon EOS R5 and the Panasonic LUMIX BS1H.