Huw Bevan is an Executive Producer, Consultant and Head of Cricket for Sunset+Vine, in London, one of the UK’s leading independent sports production companies that produces a full slate of rugby, soccer and cricket events each year. This interview with him brings insight into the role of the creative project manager and its crucial place in the techniques and technology of live sports broadcast production.
The main focus of this series is on the potential impact of 5G Broadcast on content delivery, here we take a look at how this might combine with 5G contribution to form a 5G transport ecosystem.
How adding PTP to asynchronous IP networks provides a synchronization layer that maintains fluidity of motion and distortion free sound in the audio domain.
As an industry leader in design, project management, manufacturing and installation, ACE Sports offers the best in video/scoreboards, audio and production equipment for every sport across North America, including at the high school, collegiate and professional levels. For the company’s recent installation at Nashville High School in Arkansas, JVC Professional Video provided a complete, glass-to-glass production solution, featuring two of its industry-recognized GY-HC500UN CONNECTED CAM Handheld Production Cameras and a full complement of the brand’s workflow tools.
This article describes the various codecs in common use and their symbiotic relationship to the media container files which are essential when it comes to packaging the resulting content for storage or delivery.
This is a list of the commonly used media container file formats, their owners and the dates when they were created.
This is a list of the abbreviations for media container files which are commonly used within documentation.
This list of file container formats and their extensions is not exhaustive but it does describe the important ones whose standards are in everyday use in a broadcasting environment.