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Although we’re freer to use the camera and lens combination of our choice than we would be with traditional VFX techniques such as greenscreen, we discuss the changes that do need to happen around the camera, what information we generate, and how that informs the pictures rendered on the screen.
In parallel to its role entertaining the audience via the programme output, audio is the central nervous system of all broadcast infrastructure, ensuring everybody can hear what is happening and communicate with each other - without it everything rapidly breaks down.
_operating_on_Court_18_460_207_70.jpeg "Leanne Lewis operating an NEP/Sony UHD camera on Court 18 at this year’s Wimbledon tennis tournament.")
This year’s coverage of the 2023 Wimbledon tennis tournament is the biggest and most comprehensive production ever for the event, starting with the hundreds of technical crew working on it.
How VLAN’s enable the division of an Ethernet network into multiple smaller logical networks.
A broad look at the technology and techniques of virtual production, from the camera back through the video wall, processors, and rendering servers.
Blackmagic Design has announced that production company south&browse transitioned all aspects of post, including editing, color correction and finishing, to DaVinci Resolve Studio.
A guided tour through the basics of broadcast audio production workflow using the role of the mixing console and the core areas of its functionality, as a way to explain how it all goes together.
There is definitely such a thing as the film look. Much of it is because of the serious limitations caused by the low frame rate.